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MAKE YOUR OWN DISCOVERY OF THE FUGUE IN Bb MAJOR (WTC 1, BWV 866) -
J.S.BACH'S FUGUE-PARODY
THAT ALSO PROVIDES EVIDENCE FOR THE HARD TO GRASP, ILLUSIVE ROOT CAUSE OF IMBALANCE OF BRAIN HEMISPHERE, RESULTING IN VARIOUS BLIND SPOTS WITH PAINFUL CONSEQUENCES, INCLUDINGF LOOMING HUMAN EXTINCTION, WITH FORECASTED ONSET IN 2045:
SENSORY DEACTIVATION
CONTACT US
TO SHARE YOUR FEEDBACK
We would like to allow all our visitors to re-experience our precious sense of Eureka! about sensational discovery of unearthed hilarious meaning of the Fugue-Parody by Johann Sebastian Bach, based on paradoxically unrecognized, yet hard to miss multiple, bold, left deliberately unresolved dissonant sonorities, banned at the time of composer and yet, defiantly used by him as a musical metaphor for unrestricted laughter at cognitive dissonance! Are your one of skeptics who think it's impossible to discover anything new in J.S.Bach, thinking that textbooks' scholarly analysis can not be contrary to the deliberately withheld biographical evidence..? If so - Great! Then, you'd have even more fun making your own undeniable and self-evident discovery.
BY COMPARISON OF TRUE-TO-SCORE
vs
ERRONEOUS INTERPRETATIONS
BY WELL KNOWN MUSICIANS:
Remember to scroll down to find out how this comparison compilation helps reflect on otherwise implicit and hard to grasp aspect of the human mind
STEP 1: Look at the score with highlightled commonly missed DISSONANT SONORITIES. and listen to the short recording of
TRUE TO THE SCORE INTERPRETATION
Before you begin, here is the clue: look at this opening section of the score to see HIGH-LIGHTED sharp dissonances, when Subject and two Counter Subjects are introduced at first (and then they re-occur again and again throughout the piece, as these key elements of the fugue re-appear on and on in various voices in polyphonic juxtapositions, while other also strictly banned during composer’s time, sharp and unresolved dissonant sonorities, such as ”devil’s intervals” of augmented fourth and cluster chord (in climax) are also added, to serve as musical metaphors of unbound laughter and unrestricted expression of humor.
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We gratefully acknowledge volunteer technical support for mastering audio recording by Harry Iha
STEP #2: Compare the above true to composer's intention recording to
CONVENTIONAL INTERPRETATIONS BY VARIOUS RECORDING ARTISTS
NOTE: This compilation of recordings by some of the most gifted individuals, who were/are well-known recording artists with large followings of fans, reflects and serves as the critical data collection for otherwise hard to grasp SENSORY DEACTIVATION, that resulted in localized shutdown of their eyesight and hearing senses, preventing them to notice otherwise hard to miss bold dissonant sonorities. Similar shutdown of the sense of pain-alarm in interaction with hazardous chemicals permits complicity among majority of peopl, making evident deactivated self-preservation instinct, trqnspi as the root cause for looming onset of human extinction..
Any and all comments on these multidisciplinary subjects can contribute to the critical for our society discourse on using music as defense mechanism from otherwise hard to detect existential threat. (READt MORE BELOW)
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Dr. Hugo Riemann’s erroneous analysis of t he Fugue. CLICK TO ENLARGE |
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| The following gifted musicians, who resemble Golden Standard of pianism, are not spared by the indiscriminate blind spot
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Click to see full document, learn details, and JOIN Liberate Bach! Today |
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| This underpublicized signed by J.S.Bach document could have prevented many musicians from making this and many other errors in enterpreting his music. But it remained underpublicized since its discovery in 1960s... What is your guess for the reason for such paradoxical self-defeat? Find out fascinating details and facts. And join us today to help SHARING THE TRUTH about J.S.Bach: Join Liberate Bach! Intl Campaign
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One common blind spot among all above conventional recordings manifested because all these talented performers were forced to withhold true emotional expression by the false educational standard. And they do so either completely, or partially. Most of them were made to believe that music of Johann Sebastian Bach for clavier should be played as if it was written for harpsichord, without emotional nuances. This FALSE educational standard has been DEBUNKED BY RESEARCH, but remains INDERPIBLICIZED. (See Official permission by the composer to enjoy his music to the fullest, signed by his authentic signature.)
However some musicians do try to add their authentic expression to his music, but still continue to remain bound by inner emotional blocks, that call for special repatterning of old mental habits, resulting from many years of practising cognitive dissonance, resulting from biographical distortions, turned into centuries old, yet false tradition…
But it's never too late for the inner paradigm shift. And nothing can be more satisfying than the results of this inner journey. Personal growth that can be gained through this change would illuminate the musical talents of those, who would dare to embark on the path towards the truth, led by the Master music therapist Johann Sebastian Bach… If you decide to take this step, SHARE with us your thoughts, as they will inspire many other musicians and their audiences to contribute to liberation off Musical legacy of Johann Sebastian Bach, as well as to start their own emotional liberation journey and his company
And here's an example of reflection on this challenge by Rozalina Gutman (the Founder of CHARISMA Foundation), who made the above true to the text-recording, & humbly admits:
“Yes, for over three decades I too was unable to go beyond convention, and mindlessly followed the erroneous scholarly reviews, as well as copied the common version of “blissfully” limited and irrelevant to the score Fugue. My blind spots cleared off when I gave myself permission to enjoy all music of J.S.Bach to the fullest, imagining, as if the genius would play his music on today’s piano. Of course, that’s the only way to hear the sharpness of musical metaphors for humor and satire in J.S.Bach's Fugue-Parody... And several years later, I found yet additional written proof that J.S.Bach had in his possession hammer-clavier, capable of the volume variety, was underpublicized is most paradoxical. No more need for absurd immitation of harpsichord dynamics on the piano!.. No wonder it has been causing so much of cognitive dissonance in performance for so many musicians... No, our teachers didn’t know of this under-publicised evident document and had to follow the exam requirements with guidelines for J.S.Bach... Unless I needed to use his music for healing during very troublesome moment of my life, I may have never allowed myself to enjoy his music to its fullest potency. This revelation came as a silver lining of very trying experience, caused by ethically confused individuals, who gave me much material for more than a single book and staged production, but loads of tears and chuckles, enough for sequels with J.S.Bach's soundtracks. Millions of his devotees will be facinated, since the significant dates synchronicities of life-changing events in both my and his biographical took place and are undeniable... And many people will get a chance to learn how to laugh at their harassers, according to the lesson in musical humor by J.S.Bach. 😝
Then, just several years after my intuitive discovery, the book by Eva Badura-Skoda was published, containing the Chapter on J.S.Bach, with the translation of this document and other archival evidence proving that J.S.Bach was active contributor to the design improvements of emerging instruments, and was an avid champion for this new type of clavier, while using the term "clavier" in the compositions' titles, no longer making his music bound to the limitations of harpsichord”. This subject also deserves an additional volume or two... J.S.Bach's devotees won't be bored - guaranteed!" 😂
These remarks sound truly promising and the supporters of our projects will get special insiders's privileges for all of these upcoming productions. So, sign up for the NEWSCAST and updates to stay in the know. For more info, be sure to visit the page for our Intl Campaign LIBERATE BACH!
Help us start the discourse and inspire many more off devotees of Johann Sebastian Bach
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WHY WE LISTED THESE RECORDINGS WITH THE SAME MISINTERPRETATION ERROR:
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Image By Duy Huynh |
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This RESEARCH DATA illustrate the most critical to understand, yet illusive aspect of the human brain that became reflected by music of J.S.Bach:
the blind spot, caused by the shut down of vision and hearing senses, resulted from implicit pressure to conform to the convention by repressing senses, that is universal, and that does not spare even the most brilliant representatives of the human race (such as above average intelligent musicians, who could master and very complex polyphony of J.S.Bach(!)...
It makes it evident that this hard to grasp, yet very powerful evolutionary ancient instinct is able to dominate our unconscious mind, unless conscious awareness is practiced along with proactive inner rebellion against its at times devastating implicit pressure.
The origins of this wired deeply into our unconscious mind instinct can be traced in the patterns of the freedom loving birds, that instinctively repress their individual freedoms and senses to become one with the unified collective mindset of the flock, as they gather for existential reasons of collective survival through the seasonal migration, impossible to achieve individually. Collective behavior of this Flock Instinct assures their personal and collective survival, and thus, their ability to act as “nuts and bolts” of the collective flock mind mechanism depends on their millennia-old capacity to shut down their individual senses.
Among all recordings of the given piece that could be found on YouTube, including most of them by renown performers, 100% of them contained the misinterpretation error. This is an illustration for the implicit aspect of the human mind - THE EMOTIONAL SELF REPRESSION AND RESULTING SENSORY DEACTIVATION that takes place in the unconscious mind more often than it is safe for us, Homo “Sapiens” specifies, and causes multitude of blind spots in all parts of our reality, sadly, including the most vital areas of existential significance, including self-destructive environmental pollution, due to sensory complicity to illegally legalized hazardous chemicals in many consumer goods.
And in fact, unless worldwide awareness is raised proactively about the pressing need for personal self-growth effort to expand emotional intelligence, to become conscious of our personal evolutionary relics, this awareness of the implicit trend of the human mind may continue to turn members of humankind into the herd of enslaved by ancient Flock-instinct zombies, mindlessly heading towards self-demise...
That is why, the discovered high efficacy power of J.S.Bach’s music to reflect and resolve cognitive dissonance of the human psyche while having fun, instead of resentment to change, can and should be harnessed, as well as utilized beyond reflection - for using it for repatterning of the mental inertia as well, according to the approach in music therapy that combines cognitive behavioral therapy with nonverbal FELT SENSE modalities of Expressive Arts
J.S.BACH'S POLYPHONY & SIGNIFICANCE OF BALANCED FUNCTION OF BRAIN HEMISPHERES
Ideally, most of cognitive efforts should involve simultaneously left and right hemispheres of the brain, both at the same time. But, is it really the case among majority of population that was not introduced to this type of aptitude during formative years, was not brought up in alignment with the core physical paradigm of our Universe- its VIBRATIONAL NATURE? The lack of opportunities for reaching Higher Human Potential through brain development through music/arts engagement had produced the culture of self-limiting, self-defeating mindset that is counterproductive to the very Human Nature and self-destructive by definition. Not much had changed for over 300 years since the time of J.S.Bach in the realm of brain optimization. His plea for funding for his music education and community music programs had been denied by Leipzig City Council. And although we no longer live in provincial castle cities, the same continues to take place during our time... But such injurious for the human mind strategy does not pass without consequences. And today, our generation has to be in the position to be last line of defense, since we find ourself beyond the point of return.
Fortunately, J.S.Bach is on our side and he left us the legacy of his music that is capable of incredibly powerful transformativ and healing impact, if only it is liberated from the false convention of emotional repression. Proactive involvement with his polyphony helps restore balance of hemispheres of the brain, allow for the fluid consciou/unconscious link and so much more...
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The absence of the balanced-brain development during childhood that can be caused by the lacking balance curricula results in imbalanced brain development of the variety degrees - from severe dysfunction that causes mental disability to the more subtle dysfunction of the balanced brain cognition of limited and self-destructive mindset and is called FUNCTIONAL DISCONNECTION SYNDROME (FDS).
Most sadly, due to the overwhelming multigenerational neglect of balanced brain developmental education, FDS has become “the new norm” in our society and often can not be detected as problematic and needing improvement any more, since majority of population no longer possess this capacity. One of the most terrifying examples of such outcomes of this type of catastrophic societal blind spot of practicing self-destructive mindset is the looming H U M A N EXTINCTION (details below) and our need for waking up from oblivion to the need for taking the intentional effort towards holistic restructuring of currently self-destructive brain, towards achieving SOUND MIND.
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NEW LEADERSHIP IS OVERDUE TO BE BASED ON HOLISTIC MINDSET:
Join us on the path towards creating
Global COUNTDOWN’2045 Think Tank
and
Global COUNTDOWN’2045 Detox Compliance Agency,
with global jurisdiction through UN,
initiated by
Global COUNTDOWN’2045 Task Force for Sensory Music/Arts Reawakening
SEE MORE INFO ON COUNTDOWN'2045
AND HELP US INFORM THE PUBLIC OF
under-publicised looming HUMAN EXTINCTION
due to the root cause of SENSORY DEACTIVATION & pressing need for urgent measures of global campaign for music and arts-based sensory reawakening, initiated by Johann Sebastian Bach, unable to find support among his provincially minded contemporaries, dwelling in small castle cities 300 years ago. And because of centuries long delay, our generation stands at the point of no return...
MUSIC-LED INNER JOURNEY TO BETTER YOU
or
DEATH OF CIVILIZATION
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