Follow this signed by J.S.Bach document that serves as the official permission for authentic emotional expression in his music, in defiance of the false tradition to repress the feelings, avidly objected by daring Maestro 3 centuries ago.
and remember to add the video of your passionate performance of his music,
to help fostering the important international discourse on the root cause of most of our society's paralysis, reflected by the timeless Music Genius J.S.Bach - EMOTIONAL SELF-REPRESSION
THE GUIDING IDEAS
to promote inner shift towards emotional liberation
in music legacy of J.S.Bach*:
Having the new sense of the official permission to enjoy emotional freedom in the process of interacting with J.S.Bach, based on learning the underpublicized biographical facts, it can be helpful to have a strategy for the logistic of facilitating the inner change. The restructuring of the performances of once learned piece of music needs to start with identification of the specific differences in executing utilized by J.S.Bach compositional devices in the new rendition. And it needs to follow with the creation of the new performance plan for the balanced performance, including both the analysis of the intimate details as well as the global perspective on entire piece:
Can you identify all polyphonic elements in the given piece that had been used in the polyphonic structure of the piece? Have you made the micro-motivic analysis of the melodic structure of all polyphonic elements, such as the Subject, Counter-Subjects, etc.? Can you identify the melodic climax in these elements and do you understand how it is achieved? Can you grasp the emotional expression of each element and describe it with words-labels, with elemental drawings, with expression through dance-like movement?
Can you recognize each tonal key modulation in the piece from the perspective of tonal harmony? Have you made harmonic analysis of the piece and how each harmonic change would impact on the emotional development in your new rendition? Had the sense of climax emerged anew, shifted, deepened? Had it remained somewhat close to the original concept, or transcended into the opposite dimension? Are there sections of the piece where inner climaxes can be found, and how do they lead towards the main climax of the piece?
Have you found the special new technical solution (like the focus on a new “move”) to overcome the motor inertia to be the key for the sought after change, or instead, did you notice how the change emerged easier from focusing on a new metaphor? Does it help to shift to the new performance strategy by focusing on the elements from the analysis of the broader horizontal polyphonic structure, or instead, by focusing more on the vertical harmonic development, or does the sum of both of the above help the most to break from the performance habit that must seize?
Have you found that taking a break from targeted practice and allowing for the extra time for inner shift was the most productive, or have you noticed that much of the focused and repetitive practice is the most effective in your case? Have you noticed how the sleep effects the change you are trying to foster? Have you noticed how the impacts of your environment effect your ability to focus in the sought after change, including exposure to the toxic substances, such as harmful chemicals of various types (chlorine, formaldehyde, pesticides (vs. organic food), water (filtered vs. tap), other indoors and outdoors air quality factors (fire smoke, artificial fragrances, as featured in the visionary STINK! documentary)
Does the new emergence of your ideas for changes in your performance appear simple to be achieved, or contrary, does it feel overwhelming and even close to impossible (and do you know why)? Have you noticed that it may be easier to shape a new piece by practicing new emotionally/intellectually balanced approach to J.S.Bach, than to reshape the earlier performance concept of the familiar piece? Have you realized any benefits of pursuing the change despite the challenges? How will your strive towards achieving the new, balanced vision for performing J.S.Bach's music benefit your ability to acquire inner change and to become more flexible in other parts of your reality, outside of music?
Could people around you appreciate the benefits from learning how to master the approach to inner change through musical embodiment? Would sharing of your experience create the space of trust for the release of their emotional withdrawal?
Did you observe if any subjects interfere consistently with your focus on the music, any current disruptions, or/and any memories came back from the past, and brought any answers to your present? Do the memories of learning the revisited piece bring up the images of people who were around the time when the piece was performed first? Could these people be still interested to hear about your journey into the realm of emotional self-liberation, reflected through the same piece performed completely differently, and what could be their anticipated response? How does the gained awareness relate to your current and past reality? Does it offer the answers, or does it pose difficult questions and make you aware of the complexities that call for more pondering and inquiry?
Did J.S.Bach teach you to see beyond the hurt of your trauma, by seeing how it was caused by people, who could do nothing, but to enact the unsolved trauma of their own? Have you had any important lessons that could not be learned otherwise, without going through the traumatic experiences? Do you think people who had caused your emotional hurt could be receptive to hearing the reflection of your experience in the newly emerged interpretation of the piece, out of universal desire for reaching the peace, or not at this time? Would they understand your message of compassion, passed on from the timeless compassionate counselor J.S.Bach, if it would be accompanied by the musical pathway towards their own healing of their past that led them into perpetrating the vicious circle of trauma? Could music of J.S.Bach help them arrive to the place of inner safety to share their intimate stories of their coming to peace and healing their past from the point of radical forgiveness?
How does the practice of making the shift from one performance strategy to another help you approach other challenging changes in your mind, how does it helps you master your mind and grow to a better You, being applied in other realms of life, beyond music?
After regaining emotional engagement with J.S.Bach’s music, can the abstract representations of the Subject and other elements and their musical interactions and development act as the matrix for resembling any specific events (fictional or from the real life, or combination of both)? Had you have any links to your personal reality in your earlier interpretation of the piece, and what was their value for you personally, if any, or did it serve as the mechanical exercise in polyphonic structure in the past? Have you tried to help others find their OWN personal narrative ideas to choreograph the piece through new emotionally engaging interpretive concept? What can be the impacts of your narrative, if it can be revealed in detail, and can it serve as the example for creating authentic imagery for overcoming emotional inner barriers?
* Both some or all of the following ideas may be utilized, and the collaborative contribution of the additional helpful questions would be appreciated.
SPECIAL BENEFITS FOR THE SUPPORTERS
OF OUR URGENT STRIVE TO LIBERATE THE SPIRIT OF J.S.BACH, ALLOWING HIM TO BRING COMFORT TO THE VICTIMS OF OVERWHELMING & HOPELESS INJUSTICE & TO ASSIST HARASSERS IN OVERCOMING MORAL BLIND SPOTS
Too many people in the world are still made to believe that justice isn't possible for them to achieve. Sadly, just like during J.S.Bach's time, today Justice in our society is still distributed through the prism of inequality and may still depend on systemic racial privilege, on wealth, on police impunity, on cronyism and mutual cover up among unethical, unfit to their mission elected officials and public servants, on tribalism convention of Just Us system... (Visit our page Bach 4 BlackLivesMatter )
But we have the good news for everyone:
J.S.BACH IS ON YOUR SIDE J.S.BACH HAD BEEN THE VICTIM OF THE INJUSTICE! AND HIS GENIUS MUSIC HAS THE IMMENSE CAPACITY TO REFLECT IT THROUGH THE RESONANT EXPRESSION OF COMPASSIONATE FELT SENSE.
J.S.BACH ENABLES HIS DEVOTEES TO BE ON THE SIDE OF THOSE, WHO HAD BECOME THE VICTIMS OF SYSTEMIC INJUSTICE, WHO HAD BEEN MISTREATED UNJUSTLY BY THOSE, WHOSE DUTIES SHOULD BE TO HELP THEM INSTEAD OF MAKING HARD TO DETECT AND MISLEADING IMPRESSION OF ”HELP”
The UNEXPECTED & UNCONVENTIONAL BACH'S SOLUTION
and a plea for urgent help:
Are you a part of the Majority of people, who had never heard and don't know of the term EXPRESIVE ARTS AND MUSIC THERAPY, including musicians and artists? Who among your friends knows that it involves Verbal counseling as only one integral part of the cognitive behavioral therapy?
This approach to self-growth is rooted in FELT SENSE-based practice of self-expression that allows an individual to go back to METAPHORICAL language of conceptual cognition, practiced by all of us during pre-verbial period and then, abandoned...
This is an essential gateway for self-underetanding that allows to tap into their own unconscious mind to get informed about what has become invisible and un-sensored in the realm of our own dumbed down and self-repressed pain and other feelings that determine our priorities on various levels, both conscious and unconscious
Clinical psychology training, based on verbal only counseling does not provide the ways for re-patterning of the mental blocks like this below, and does not aim to offer the assistance to the arrival of the individual to the FELT SENSE of root causes of their trauma either. So the core issues never get addressed and resolved at the roots, based on the misfiring evolutionary young brain that is the collection of the parts from various evolutionary periods that are still in conflict with one another...
And as the result, most of our blind spots never get merely recognized and so, they remain as unresolved barriers, since no step of repatterning of misfiring synaptic networks from residual trauma takes place, due to the gigantic blind spot in the field of the clinical psychology, both individual and societal?
And that is the core reason for the overwhelming collapse and paralysis of our society in all realms of it, with too many examples of painful and costly failures and absurdly false outcomes.
So, what can help solve the problem? Why the leaders in the psychology field know about this, and yet do nothing meaningful to prioritize this cognitive fitness issue to be the top priority in the field that is responsible for it? The answer is both simple and complex:
Practitioners of the Expressive Arts therapy know that if a client was exposed to the Arts and music practices during childhood, it is a natural resource they can two into during the crisis. But if not, it becomes yet another additional obstacle to overcome and may not work just for this absurd reason of lacking access to the Arts for all. Indeed,mute level of sanity in our society depends on the accessibility of practicing the Arts and music.
It may appear unexpected, but music and the Arts practice is where the solution for this complexity is, and it may not be oversimplified any longer in our society, still based on the incivility of multitude of the blind spots that hurt much and cause tremendous losses and suffering. It is obviously a very good investment into every part of our society. But it can be obvious only to those policy makers, who are ABLE to grasp this obviousness, who possess the type of mindset that includes abstract cognition along with symphonic vision and polyphonic multitasking. And that is the kind of leadership we need, and we may not compromise on this critical requirement of intellectual leadership, since now it determines our very survival.
Only one example of such paralysis that results from the societal blind spot that is the outcome of our individual and collective lack of priority to object health hazards of environmental catastrophe that we, the carriers of the human brain had created for ourselves, is due to the fact that we’ve lost our most critical sensory capacity to feel our own pain that should inform us of the hazards on the level of self-preservation instinct, but it no longer does, due to the epidemic of SENSORY DEBILITATION.
[And to begin to understand the depth of this catastrophe, please, watch the documentary STINK! on Netflix re. artificial fragrances (and let me known what do you think of it). Yes, indeed, it will help you and yours in the most critical for our brain manner of protection and prevention of neurotoxins from causing cancers, dementia, diabetes, autism, MS, Parkinson’s , Alzheimer’s, heart, lungs, liver, kidney and multitude of other diseases...]
We, as the society and as individuals had somehow forgotten that Music and the Arts had evolved as the ancestral tool for dealing with the deficiencies of our brain, struggling with evolutionary relics in its structure. Our sense of priorities is directly effected by this, or rather - it should,but NO LONGER is!
The world PRACTICES is the key for the solution here however. It means the focus not on the result, but on the process. But, even most of the professional artists did not have such luxury, so how could they be able to pass it on in the capacity of the Teaching Artiste?.. This need to retrain them, the last line of defense from the hazardous conventional self-repression is a pressing necessity in our society that may not be left without priority, since we all are affected by the implications of malfunctioning brain and the society that does not wish to get sober about its core addition to the self-destructive policies and traditions that must seize, and yet continue to rule our lives.
Due to the brain plasticity, we are often ruled by inertia, rolling on and on through the old paths of detrimental for us mental patterns. Even individual change is not simple to accomplish. So when it comes to the need to change societal pattern, without intellectually strong, capable of reflection leadership, driven by the right priorities (based on normal sensory function) such as ethics vs. political games, we are ...doomed.
We have arrived to the issue of intellectual leadership that is essential for pushing for the above critical for our survival changes, that must possess the capable brain function and most importantly, must be able to retain it without getting corrupt in the process too (since the power corrupts, as it h been proven by experiments).
Indeed, the issue appears to have many stages of complex measures... And it is easy to abandon, since the results can only yield over time and may not be used to impress the voters and to be showcased as the quick fixes for the instant political gains... There is no doubt, our absurd elections system is another kind spot, and everyone knows about it, and yet, everyone is “too busy” to deal with corruption of the core ethics in our society and to speak the truth to the power that tends to retaliate... It looks like there is no hope to overcome this paralysis either...
But, wait... luckily, there IS hope: Despite the complexity of the problem, it has been solved 300+ years ago by the timeless unsurpassed Genius J.S.Bach, who had provided the tool for re-balancing the disrupted in our brain emotional/intellectual balance, critical for optimal cognition. However, turning on any J.S.Bach recording isn't enough yet, although it may appear to be close to the solution. But without knowing how to get involved with his music on a personal level, in the sense of therapeutic tool for self-mastery, his magic may continue to remain hidden and untapped... J.S.Bach’s Music delivers the container for our authentic engagement by involving into emotionally/intellectually balanced perception, helping to restore its presence after stress and trauma disrupt it.
So why aren’t his music’s recordings not used for such important task? There is another paradoxically absurd reason why J.S.Bach’s power could not be fully harvested, despite the fact that he isn't an unknown master. This yet another paradox rules around this timeless music healer, so his musical legacy could not be utilized for the healing of mental barriers and blind spots...
The depths of our paradoxical society is reflected in his music to fullest: even the music of this composer, who had risked a lot to oppose emotional withdrawal in music and to unleash its transformative powers, was subjected to THE EMOTIONAL REPRESION, by creating false educational standards for musicians, forbidding for emotional engagement with the music of the composer who had emphasised it with his compositional tools choices.
That is where the core solution for most of our brain malfunction currently resides. This approach needs much attention and awareness, as well as support.
But, we, as the society, can not afford to avoid prioritizing these matters of using such high efficacy modalities any longer. And, on the apocalyptic morning with no sunlight due to the think smoke, we were all reminded of how importwnt it is TO GET SOBER AND TO REFRAME OUR PRIORITIES FOR COGNITIVE ADVANCEMENT.
Bach created music therapy tool to embody & to RE-PATTERN complex PTSD of cognitive dissonance. Such blind spots are caused by malfunctions of our brain, that consists of the parts, conflicting with each other, due to their different evolutionary age (Fight-or-Flight instinct). Modalities, based on Bach’s polyphony RESTORE DISRUPTED BY STRESS EMOTIONAL/INTELLECTUAL BALANCE THAT IS CRITICAL FOR THE OPTIMAL BRAIN FUNCTION, through authentic engagement with BOTH complex intellectual structure AND PASSIONATE EMOTIONAL content, manifesting into HIGH EFFICACY healing impact both for self-growth & counselors’ use with/without musical background
Dear friends, If you are among a few of those people who is able to grasp the complexity of the issue, please, show support at the time of EXTREME DISTRESS for the inventor and developer of the tool that provides the rare hope for Humanity that is currently in a dire hopeless place... thanks to our bran’s instinctive ability to elicit feel good neurotransmitters upon interaction with music.
Partner with us to help us use our UNIQUE ABILITY TO GRASP ANDMTO ADDRESS THEMROOT PROBLEMS OF ALL PROBLEMS AT ITS CORE - the unique methods of coaching, training and retraining musicians to help them regain their emotional freedom, in order to enable them to share it with the public, one audience at a time. It is the critical step for recovering for the global calamity of SENSORY DEBILITATION that derails our ability to make the sound priorities,and thus, is THE MOST DESTRUCTIVE FORCE IN THE FORM OF THE BLIND SPOT AT THE CORE OF ALL ILLS OF THE HUMAN REALITY
Offer your help in action, please, by reaching out TODAY, and be the first to enjoy the benefits of writing your name into the history of humankind.
* * * * *
EXCLUSIVE OFFER TO THE MEMBERS, SUPPORTERS AND SPONSORS OF OUR EMERGING INT'L CAMPAIGN LIBERATE BACH!
THAT SUPPORTS RECOVERY OF MUSICIANS AND THEIR AUDIENCES FROM THE TRAUMATIC IMPACTS OF THE ABSURDLY FALSE CONVENTION OF EMOTIONAL SELF-REPRESSION.
YOUR PERSONALIZED MESSAGE to a power figure of your choice can be amplified by the worldwide audiences' support and cheers, led by Timeless Genius Music Therapist J.S.Bach, who comes to life through his music to unite millions of his devotees to protect and to advocate for the powerless, to empower their voices, & to help them being finally heard and being treated justly, as they speak the truth to power, to those, who are unfit to occupy the power chairs, and yet do so to the detriment of our society. The world will resonate to your musical joke, thanks to being set to his miusic, while witnessing how his music allows to grasp the inner conflict of contributing elements of their cognitive dissonance through the healing experience of the cruel absurdities that result from their blind spots. The whole world will be consumed by laughter at the cruel absurdity of powerful abusers, thanks to being set to the soundtrack of unidentified for three hundred years and just unearthed by our founder Rozalina Gutman FUGUE-PARODY, filled with unnoticed by scholars, teachers, music performers and their audiences dissonant sonorities, composed around the time of his false imprisonment by the persevering through incivility of his contemporaries Genius-CONVICT J.S.Bach.
Find out about this time-limited exclusive offer for Supporters and Sponsors, contributing to manifestation of her daring recording of the funny maverick & related efforts of exposing senseless lies about J.S.Bach, with implications for brain sciences & throughout society
NOW is the special opportunity TO WRITE YOUR NAME INTO THE HISTORY! Join the progressive vanguard of our society: BE AMONG THE FIRST TO EXPERIENCE, TO MASTER & THEN TO HELP LEAD THE REST OF THE WORLD AWAY FROM THE CURRENT SELF-DESTRUCTIVE PATH FOR OUR CIVILIZATION, by reawakening the resonance to our souls' purposes, and re-patterning of the unfitting inertia of the human brain's plasticity, by reflecting and embodying this conscience awakening through Music and the Arts